Saturday, June 8, 2013

{review} barbara pym reading week

‘Reading, were you?’ Rupert picked up the book which lay on the little table by the fire. It turned out to be the poems of Tennyson, bound in green morocco. Could she really have been reading that? he wondered, looking around for the novel stuffed behind a cushion.
‘Yes, but I was just going to make some coffee,’ said Ianthe. ‘Would you like some?’
How convenient women were, Rupert thought, accepting her offer, the way they were always ‘just going’ to make coffee or tea or perhaps had just roasted a joint in the oven or made a cheese soufflé. (A Suitable Attachment)
I'm very late to the (tea?) party - though I have been playing along on twitter a little - but I have been so enjoying reading everyone's posts for Barbara Pym Reading Week, the brilliant idea of Thomas at My Porch and Amanda of Fig & Thistle. However, my new computer finally arrived yesterday (the whole saga is worthy of an entry to white whine, but I shan't bore you), so I'm back in blogging action now.

But, hey, plenty of time for reading without all those distractions provided by functioning technology, and I was really pleased that I managed to read five books by Barbara Pym this week. I loved them all, although I think that Excellent Women is my favourite (so far!).

So which ones did I read?

Excellent Women (1952) as I noted: wonderful, so funny and so sharp and quietly catty. And I was so happy to see Mildred Lathbury pop up (in name) in two other of my reads, so I found out what happened to her. This was my first Barbara Pym read, and I am now hooked. I may even like her more than Anita Brookner. Oh, perhaps not, but it is close...

Which is interesting, as my second read, Quartet in Autumn (1977) was a book with really Brooknerish resonances - about people who fail to "make contact" - although also reminiscent of another magnificent book about ageing, friendship and loneliness, Muriel Spark's Memento Mori {REVIEW}. It also captured the hideous ugliness of the 1970s really well.
Of the four only Letty used the library for her own pleasure and possible edification. She had always been an unashamed reader of novels, but if she hoped to find one which reflected her own sort of life she had come to realize that the position of an unmarried, unattached, ageing woman is of no interest whatever to the writer of modern fiction.


An Unsuitable Attachment (1963 - famously rejected by the publisher and not published until 1982) had a wonderful heroine in Ianthe, with her perfect little house and quiet careful life who is nevertheless prepared to take a chance on a happy ending rather than seek a safer alternative.
The man who had offered the seat had seen Ianthe as a tall fragile-looking woman in a pretty blue hat that matched her eyes. He might also have noticed that her dark hair was touched with grey and that although she was not exactly smart there was a kind of elegance about her. She saw herself perhaps as an Elizabeth Bowen heroine – for one did not openly identify oneself with Jane Austen’s heroines – and To The North was her favourite novel.
However, it was, obviously, the cat Faustina who really grabbed me in this one!
‘Yes – is that her coming now? I thought I saw somebody pass the window,’ said Sophia. Her tone was a little agitated for she had also just seen Faustina mount the refreshment table and pick her way delicately among the dishes of the cakes and savouries, sniffing the air, ready to pause and pounce when she came upon something that took her fancy.

After this I read Pym's first work, Some Tame Gazelle (1950), which was much more - like Excellent Women - obviously humorous in tone. I loved the sisters: Harriet, who likes to feed pale curates ("They were so immature and always made the same kind of conversation"), and the thoughtful Belinda who has loved the Archdeacon next door for thirty barren years.
She felt she could hardly agree that Agatha was elderly when she herself was a year older and thought of herself as only middle-aged. And yet, middle-aged or elderly, what was the difference really? Calm of mind, all passion spent … she had known that before she was thirty.
Belinda had decided to wear her blue chiffon. Henry had once said that he liked her in pale colours, and although that had been over thirty years ago it was possible that he still might.
The wicked one-liners in this book were quite wonderful. As a classicist, I am thinking of having this put on a t-shirt (perhaps in embroidery?): "I had a classical education and it isn’t a very good training for scintillating conversation."
‘Now, Ricardo, you mustn’t lose hope,’ said Belinda comfortably. ‘I know she is fond of you and even if she will not love you, always remember’ – her eyes lighted on the works of Alfred, Lord Tennyson – ‘that it is better to have loved and lost than never to have loved at all. I always think those lines are such a great comfort; so many of us have loved and lost.’ She frowned: nobody wanted to be one of many, and she did not like this picture of herself, only one of a great crowd of dreary women. Perhaps Tennyson was rather hackneyed after all.

Finally, I read Jane and Prudence (1953) about two university women whose lives have taken quite different paths, while their friendship has remained true. Can Jane find Prudence a suitable husband from the unmarried men (perhaps the handsome leonine philandering widower Fabian who has a large photo of himself on his wife's grave!) in the village where she tries but always fails to live up to her (literary) expectations of the appropriate activities for a vicar's wife?
‘Yes, of course,’ Jane agreed. ‘The church is going to look very nice, I think.’
‘Oh, Mother, you always say that,’ said Flora, Mrs Glaze having left them alone together. ‘And you never really notice.’
‘No, I notice the things one shouldn’t,’ said Jane.
I quite liked how a little bit of life at the time crept into this book - rationed food, for instance. I love reading about food in books, and Pym's books certainly offered me a lot of treats (apart from liver). I felt like a nice very dry sherry quite a bit as I read too; but not, I think, a madeira:
‘This is Madeira,’ said Mervyn. ‘It seems a suitable present for a respectable unmarried lady who might be visited by the clergy.’
The 'excellent women' ("It was not the excellent women who got married...") who carried the parish / village / suburb / street along in all these books thoroughly resonated with me (over-educated spinster, perhaps even "comfortably indifferent to dress?"!).
Prudence’s flat was in the kind of block where Jane imagined people might be found dead, though she had never said this to Prudence herself; it seemed rather a macabre fancy and not one to be confided to an unmarried woman living alone.
I also loved the literary allusions scattered so aptly through the texts. In addition, I was reminded that I enjoy books where nothing much seems to happen (so, my passion for Anita Brookner) and what does happen happens so quietly that it hardly creates a ripple. Of course, one doesn't want this in every book, but it is really very relaxing at times! It also amused me quite a lot that so many inhabitants of these books seemed to have jobs that no one quite knew what they were, including the employees, in a "vague cultural organisation" (J&P), or "something to do with records or filing, it was thought, nobody knew for certain" (Q in A). The ordinary, the everyday - these are the stars of these books.

I am so happy that I have the pleasure of eight more of Barbara Pym's books to enjoy in the future. Many thanks to Thomas and Amanda for creating Barbara Pym Reading Week!

Barbara Pym with cat


  1. Welcome back - glad your laptop arrived! I really enjoyed Quartet in Autumn too - though we seem to be in the minority on that. And I did notice the complete lack of information about what they did in that office - or even who they worked for! Your post makes me want to order a copy of An Unsuitable Attachment immediately. I wonder if booksellers have noticed a spike in Pym sales this week.

    1. Thanks Lisa May - good to be back! I work in the public service and there are definitely people in my organization who would be challenged to describe what they do. I just wish we had tea ladies to come around for elevenses!

  2. Gosh, you have been busy! I'm so pleased that this week has given you a new favourte author. I'm still struggling to LOVE Pym, although I certainly like her a great deal. (I did much better this week than I did with Anita Brookner week!)

    1. Maybe it is just a style thing, given that there are so many similarities with Brookner's style. The other one I'd lump in would be Spark, yet you obviously get along well with her books - rather more happens in them, though... Hmmm.

  3. What a wonderful reading week you've had! I've read all of these Pym's and liked them all (though Quartet in Autumn made me depressed). I would suggest A Glass of Blessings too. It is so, so good, but not read very much.

    1. I managed to pick up two more new titles at a book sale this morning - A Few Green Leaves and Crampton Hodnet - and I think my library has pretty much the rest, so I feel I've done well this week. I thought Quartet in Autumn was very bleak: the whole time one was anticipating some brutal 1970s disaster. The writing was terrific.

  4. I have been inspired by all these posts to try Barbara Pym for myself. My library only has a couple of books so it will be one of those that I try!

    1. Hi Marg - I would definitely recommend Excellent Women as a starter if they have it. Really very funny, and a pretty good summation of her entire 'genre'.

  5. What a lovely post! I'm so happy to hear that you have fallen for Pym, and all your quotes made me laugh, which is one of the things I really value Pym for -- I used to have to be careful not to read her novels on public transport because I was liable to chuckle out loud. I don't much like Anita Brookner, probably because she isn't noted for her one-liners.

    1. Thank you Harriet - I don't think it would be safe at all for me to read Pym in public! I did think that I really measure out my Brookner reading because it tends to be so miserable, while Pym is really far more easier, as it were, to live with the consequences!

  6. I read Jane and Prudence this week also, and I loved that quote about Prudence's neighborhood!!!

    I've read five Pyms so far and I'd also recommend Crampton Hodnet and No Fond Return of Love.

    1. I once house-sat in an enclosed block of apartments that so reminded me of these. I never met anyone on the stairs or in the lift or at the door. They might all have been dead. It was very freaky. I think they just all worked really long hours and never ate at home. That's what I told myself... (I picked up Crampton Hodnet at a sale yesterday, so that will probably be next for me, yippee!)

  7. Envy your 5 books in one week. I've almost finished Quartet in Autumn, and though it leans towards bleakness, there are so many amusing dry lines in it that I revelled in it like a bath of a perfect temperature.

    1. Even though it was so sad, the characterisation was so perfectly drily done. That whole thing about Marcia and her attempts to return the milk-bottle which doesn't match the rest of the bottle... Perfect.

  8. Thoroughly enjoyed this post! Great sum up of the five Pym books. I've only read Some Tame Gazelle so far but I've already decided that I need to read the rest of her books. Love her sensitive humour and her gentle observations of the human heart. I guess stories about ageing spinsters resonate quite well with me too, as well as stories dealing with loneliness and solitude, grief, loss, etc... No wonder I find Anita Brookner's writing to be appealing as well.
    By the way, have you read Vita Sackville-West's "All Passion Spent"? I think that's a perfect book on the topic of ageing gracefully. Beautifully done.

    1. I have read All Passion Spent, quite recently, and I loved it (though that middle section was a bit weird) - such a perfect portrayal of not giving in to what those around you think you should be doing. (And I'm pleased to find someone who's not ambivalent about Brookner!).

  9. I read a few Brookner's a decade ago and loved them. I can't think why i haven't read any more or reread them.
    I'm looking forward to QIA too.

    1. I found your blog through the reading week, Brona, which is one of the lovely things that these events bring about, I think. I only read a Brookner every now and then, even though I LOVE her writing, as a big read can tend to be pretty miserable. QIA had that miserable element, but a lot of humour too as relief. I hope you enjoy it.

  10. How wonderful to have read all five at once -- I read 3 this week, and certainly enjoyed the way the characters cross over into other books, something more noticeable when the books are read close together. I loved Excellent Women & An Unsuitable Attachment. Have just finished A Few Green Leaves but not blogged about it yet! Nice to see that Pym Week inspired your reading :)

    1. Thank you for visiting, Melwyk - I picked up A Few Green Leaves at a sale on the weekend, so I'm keen to read that one too now. I think I will have to eke out my pleasures now, as I will soon run out.

  11. What a terrific reading binge you've had with Pym. Many of these are on my TBR list. Glad to see you enjoyed them.

    1. It was wonderful, Diane. And the best bit is that I still have more to go!

  12. Reading the quotation you included from A Suitable Attachment I thought 'that's the one for me' but Quartet in Autumn sounds absolutely brilliant, too. The quotes and your positivity are almost infectious - I pretty much kicked myself for not signing up but now I really see what I missed! That must be rectified.

    1. I think it totally depends on your mood - if you want a slightly happier one, then I wouldn't go for QiA, but if you want to wallow in melancholy and lovely words, then definitely QiA! ;-) I say, go for both!

  13. Excellent Women was the only one I could get through, so I guess it's my favorite, too. But I can't say I have developed a terrible fondness for Pym. Which rather defeats the purpose of Pym week, sadly.

    1. It's just as useful to find out what you'd rather be spending your valuable reading time on, I think!


{READ IN 2018}

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  • 26. The Grave's a Fine & Private Place - Alan Bradley
  • 25. This is What Happened - Mick Herron
  • 24. London Rules - Mick Herron
  • 23. The Third Eye - Ethel Lina White
  • 22. Thrice the Brindled Cat Hath Mewed - Alan Bradley
  • 21. As Chimney Sweepers Come to Dust - Alan Bradley
  • 20. The Dead in Their Vaulted Arches - Alan Bradley
  • 19. Speaking from Among the Bones - Alan Bradley
  • 18. Eleanor Oliphant is Completely Fine - Gail Honeyman
  • 17. Miss Ranskill Comes Home - Barbara Euphan Todd
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  • 14. The Talented Mr Ripley - Patricia Highsmith
  • 13. Portrait of a Murderer - Anthony Gilbert
  • 12. Murder is a Waiting Game - Anthony Gilbert
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  • 3. No Dust in the Attic - Anthony Gilbert
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  • 1. She Shall Died - Anthony Gilbert

{READ IN 2017}

  • 134. Third Crime Lucky - Anthony Gilbert
  • 133. Death Takes a Wife - Anthony Gilbert
  • 132. Death Against the Clock - Anthony Gilbert
  • 131. Give Death a Name - Anthony Gilbert
  • 130. Riddle of a Lady - Anthony Gilbert
  • 129. And Death Came Too - Anthony Gilbert
  • 128. Snake in the Grass - Anthony Gilbert
  • 127. Footsteps Behind Me - Anthony Gilbert
  • 126. Miss Pinnegar Disappears - Anthony Gilbert
  • 125. Lady-Killer - Anthony Gilbert
  • 124. A Nice Cup of Tea - Anthony Gilbert
  • 123. Die in the Dark - Anthony Gilbert
  • 122. Death in the Wrong Room - Anthony Gilbert
  • 121. The Spinster's Secret - Anthony Gilbert
  • 120. Lift up the Lid - Anthony Gilbert
  • 119. Don't Open the Door - Anthony Gilbert
  • 118. The Black Stage - Anthony Gilbert
  • 117. A Spy for Mr Crook - Anthony Gilbert
  • 116. The Scarlet Button - Anthony Gilbert
  • 115. He Came by Night - Anthony Gilbert
  • 114. Something Nasty in the Woodshed - Anthony Gilbert
  • 113. Death in the Blackout - Anthony Gilbert
  • 112. The Woman in Red - Anthony Gilbert
  • 111. The Vanishing Corpse - Anthony Gilbert
  • 110. London Crimes - Martin Edwards (ed.)
  • 109. The Midnight Line - Anthony Gilbert
  • 108. The Clock in the Hatbox - Anthony Gilbert
  • 107. Dear Dead Woman - Anthony Gilbert
  • 106. The Bell of Death - Anthony Gilbert
  • 105. Treason in my Breast - Anthony Gilbert
  • 104. Murder has no Tongue - Anthony Gilbert
  • 103. The Man who Wasn't There - Anthony Gilbert
  • 102. Murder by Experts - Anthony Gilbert
  • 101. The Perfect Murder Case - Christopher Bush
  • 100. The Plumley Inheritance - Christopher Bush
  • 99. Spy - Bernard Newman
  • 98. Cargo of Eagles - Margery Allingham & Philip Youngman Carter
  • 97. The Mind Readers - Margery Allingham
  • 96. The China Governess - Margery Allingham
  • 95. Hide My Eyes - Margery Allingham
  • 94. The Beckoning Lady - Margery Allingham
  • 93. The Tiger in the Smoke - Margery Allingham
  • 92. More Work for the Undertaker - Margery Allingham
  • 91. Coroner's Pidgin - Margery Allingham
  • 90. Traitor's Purse - Margery Allingham
  • 89. The Fashion in Shrouds - Margery Allingham
  • 88. The Case of the Late Pig - Margery Allingham
  • 87. Dancers in Mourning - Margery Allingham
  • 86. Flowers for the Judge - Margery Allingham
  • 85. Death of a Ghost - Margery Allingham
  • 84. Sweet Danger - Margery Allingham
  • 83. Police at the Funeral - Margery Allingham
  • 82. Look to the Lady - Margery Allingham
  • 81. Mystery Mile - Margery Allingham
  • 80. The Crime at Black Dudley - Margery Allingham
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  • 67. Out of the Past - Patricia Wentworth
  • 66. Mistress - Amanda Quick
  • 65. The Black Widow - Daniel Silva
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  • 62. The Visitor - Lee Child
  • 61. No Middle Name: The Complete Collected Jack Reacher Stories - Lee Child
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  • 60. The Queen's Accomplice - Susan Elia MacNeal
  • 59. Mrs Roosevelt's Confidante - Susan Elia MacNeal
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  • 56. Princess Elizabeth's Spy - Susan Elia MacNeal
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  • 54. A Lesson in Secrets - Jacqueline Winspear
  • 53. Hit & Run - Lawrence Block
  • 52. Hit Parade - Lawrence Block
  • 51. Hit List - Lawrence Block
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  • 49. Triple Quest - E. R. Punshon
  • MAY
  • 48. Dark is the Clue - E. R. Punshon
  • 47. Brought to Light - E. R. Punshon
  • 46. Strange Ending - E. R. Punshon
  • 45. The Attending Truth - E. R. Punshon
  • 44. The Golden Dagger - E. R. Punshon
  • 43. The Secret Search - E. R. Punshon
  • 42. Spook Street - Mick Herron
  • 41. Real Tigers - Mick Herron
  • 40. Dead Lions - Mick Herron
  • 39. Slow Horses - Mick Herron
  • 38. Everybody Always Tells - E. R. Punshon
  • 37. So Many Doors - E. R. Punshon
  • 36. The Girl with All the Gifts - M. R. Carey
  • 35. A Scream in Soho - John G. Brandon
  • 34. A Murder is Arranged - Basil Thomson
  • 33. The Milliner's Hat Mystery - Basil Thomson
  • 32. Who Killed Stella Pomeroy? - Basil Thomson
  • 31. The Dartmoor Enigma - Basil Thomson
  • 30. The Case of the Dead Diplomat - Basil Thomson
  • 29. The Case of Naomi Clynes - Basil Thomson
  • 28. Richardson Scores Again - Basil Thomson
  • 27. A Deadly Thaw - Sarah Ward
  • 26. The Spy Paramount - E. Phillips Oppenheim
  • 25. The Great Impersonation - E. Phillips Oppenheim
  • 24. Ragdoll - Daniel Cole
  • 23. The Case of Sir Adam Braid - Molly Thynne
  • 22. The Ministry of Fear - Graham Greene
  • 21. The Draycott Murder Mystery - Molly Thynne
  • 20. The Murder on the Enriqueta - Molly Thynne
  • 19. The Nowhere Man - Gregg Hurwitz
  • 18. He Dies and Makes No Sign - Molly Thynne
  • 17. Death in the Dentist's Chair - Molly Thynne
  • 16. The Crime at the 'Noah's Ark' - Molly Thynne
  • 15. Harriet the Spy - Louise Fitzhugh
  • 14. Night School - Lee Child
  • 13. The Dancing Bear - Frances Faviell
  • 12. The Reluctant Cannibals - Ian Flitcroft
  • 11. Fear Stalks the Village - Ethel Lina White
  • 10. The Plot - Irving Wallace
  • 9. Understood Betsy - Dorothy Canfield Fisher
  • 8. Give the Devil his Due - Sulari Gentill
  • 7. A Murder Unmentioned - Sulari Gentill
  • 6. Dead Until Dark - Charlaine Harris
  • 5. Gentlemen Formerly Dressed - Sulari Gentill
  • 4. While She Sleeps - Ethel Lina White
  • 3. A Chelsea Concerto - Frances Faviell
  • 2. Kipps: The Story of a Simple Soul - H. G. Wells
  • 1. Heft - Liz Moore
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