Showing posts with label medicine. Show all posts
Showing posts with label medicine. Show all posts

Monday, August 27, 2012

{review} the technology of orgasm

When did God make men?
When she realised that vibrators couldn't dance.

Maines' book is a really well adapted women's studies/social sciences dissertation. It is amusing and grotesque in almost equal measure. Maines looks at how the vibrator has been used, abused and misused as a 'scientific' instrument for managing women's illnesses by mechanical means, particularly in the nineteenth century. Some of these mechanisms are quite eye-watering: the steam-powered vibrator, is a case in point. Did you know that the vibrator was electrified for the home market nine years before the vacuum cleaner?!
Rests, strengthens, renews, repairs. Every vital organ is crammed full of vitality. The clogging waste is swept away by the coursing blood which the marvellous force sets leaping through every vein and artery with the virile strength of perfect health. You sleep as restfully as you used to. You awaken, refreshed mentally - physically - strong in mind and body and glad to be alive. [Advertisement for 'White Cross Electric Vibrator' in The American Magazine, January 1913]
Maines asks some really good questions: about the development of the 'disease paradigm' of hysteria; about women's diseases as cash cows for the unscrupulous; about the medicalization of normal conditions for reasons of belief and profit ("the patients neither recovered nor died of their condition but continued to require regular treatments"); about why there are so many hysterics in the nineteenth century; about the long-held belief that vaginal intercourse is required for orgasm (and the concomitant subsumption of the clitoris within "androcentric definitions of sexuality and the construction of ideal female sexuality to fit them"). And how can the same device cure nymphomania and frigidity?

Rating: this is a really enjoyable read, with some nice bits of gender and social theory made accessible to the general reader. There is no bibliography (which was sad), but the notes are very rich and worth reading in full.

If you liked this... I have this book on my wishlist: The Female Body in Medicine and Literature, edited by Andrew Mangham & Greta Depledge (2011).

Monday, August 6, 2012

{review} blessed days of anaesthesia


 

I have had the pleasure of reading a couple of really astonishingly good non-fiction books so far this year. Stephanie Snow's popular history of anaesthetics is one of the best.

Life (and death) really sucked before anaesthetics, and the only thing that is really astonishing is how reluctantly it was embraced. Looking back, can we even imagine a time when it was thought that "pain was necessary and functional in surgery"?! If you have a strong stomach, try reading Fanny Burney's account of her mastectomy without pain relief: "…when the dreadful steel was plunged into the breast - cutting through veins - arteries - flesh - nerves - I needed no injunctions not to restrain my cries. I began a scream that lasted unintermittingly during the whole time of the incision - & I almost marvel that it rings not in my Ears still! so excruciating was the agony." (more here)
Anaesthesia challenged Victorian understandings of pain at the most fundamental level. What was its purpose? How could medical control of suffering be reconciled with the Christian view that human pain was God's will? Doctors, clergymen, and writers debated the subject passionately. Because inhaling ether and chloroform could be fatal, it struck deep into one of medicine's central questions: what were the risks versus benefits of medical intervention?
Snow has a great grasp of the big picture - how anaesthetic reforms filtered slowly downwards to change society as a whole:
Beyond medicine, anaesthesia became a touchstone for humanitarianism, fuelling public distaste of pain and concern about the morality of inflicting suffering. It is no coincidence that from the 1860s onwards public executions became private events, legislation was introduced to reduce cruelty to animals in scientific experiments, and ideas of pain in Christian doctrine were reworked.
Snow works her way through the slow development of various types of more or less (usually more) dangerous anaesthetics - from opium to laughing gas, ether, chloroform and then onto the modern drugs we take so much for granted. The tendency of innovators in the field to experiment on themselves and their friends is remarkably consistent throughout history:
Liston was convinced of ether's potential: it had 'the most perfect and satisfactory results' and was 'a fine thing for operating surgeons', he wrote… Then he hosted a celebratory dinner party at which he demonstrated the effects of ether on one of the guests.
The big breakthrough in anaesthetic PR was Dr John Snow's management of Queen Victoria's labour with chloroform in 1853, although this in itself should tip the reader off to the social inequalities that still continue in medical treatment. {Incidentally, John Snow is my medical hero for his work on cholera - REVIEW}
Even after announcements of the Queen's use of chloroform and the publication of Snow's article, Dr Sheppard, a physician living in the provinces, felt strongly enough to write to the Association Medical Journal saying he would not change his view of chloroform. 'No female for whom I have any regard shall ever, with my consent, inhale chloroform,' he vowed, 'I look upon its exhibition as a pandering to the weakness of humanity, especially the weaker sex.'
Anaesthetics, along with a better understanding of antisepsis and the development of endotracheal intubation, revolutionized surgery. Snow has written a really readable and sensible account of the history of anaesthetics and also the place of anaesthetics in the modern world.  

Rating: excellent. 

If you liked this… definitely Steven Johnson's The Ghost Map: A Street, an Epidemic and the Hidden Power of Urban Networks (2006), on John Snow, cholera and the Broad Street pump

 

Saturday, May 12, 2012

{weekend words}

"What an awful affair a confinement is!", noted Charles Darwin after the birth of his first child in 1839: the event "knocked me up, almost as much as it did Emma herself."
Stephanie J. Snow (2008) 
How Anaesthetics Changed the World

Monday, June 20, 2011

{review} the ghost map


The Ghost Map: A Street, an Epidemic and the Hidden Power of Urban Networks The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World

Steven Johnson has written a very accessible science book. The core of The Ghost Map is a vivid retelling of the outbreak of the 1854 Broad Street cholera epidemic. The birth of modern epidemiology can be traced to the work tracing the source of the outbreak and the (slow, so slow) acceptance that cholera was a waterborne killer. Johnson is a good story-teller and well describes both the signs and symptoms of cholera and the historical background to the disease. It is astonishing how entrenched in the Victorian scientific community was antipathy to believing cholera anything but an airborne disease (a 'miasma'), despite so much evidence to the contrary.

There are two heroes in this story:

Dr John Snow (source)

The first is Dr John Snow (the man who astounded the world by giving Queen Victoria an anaesthetic during childbirth) whose painstaking analysis of the water supply of the Broad Street area, backed up with statistics on its users, led to his remarkable solution to the epidemic when he persuaded the local authority to remove the handle from the Broad Street pump. Cholera had colonised the Broad Street well through sewage contamination.

The Rev. Henry Whitehead (source)

The second hero is the Rev. Henry Whitehead, the local curate, who conducted house-to-house interviews in the area. He is almost doubly heroic since he held an entirely different theory to Dr Snow about the cholera epidemic, but was smart enough and man enough - unlike the rest of the scientific community - to concede that Dr Snow was likely correct and to offer his services in any way they could be used.
"You and I may not live to see the day," Snow explained to the young curate, "and my name may be forgotten when it comes; but the time will arrive when great outbreaks of cholera will be things of the past; and it is the knowledge of the way in which the disease is propagated which will cause them to disappear."

Snow's cholera map showing the clustering
of cholera around Broad Street (source)

As Johnson so well describes, it is a consequence of Snow's and Whitehead's data collection that the ordinary people of Soho have lived on in the historical register:
There is something remarkable about the minutiae of all these ordinary lives in a seemingly ordinary week persisting in the human record for almost two centuries. When that chemist’s son spooned out his sweet pudding, he couldn’t possibly have imagined that the details of his meal would be a matter of interest to anyone else in Victorian London, much less citizens of the twenty-first century. This is one of the ways that disease, and particularly epidemic disease, plays havoc with traditional histories. Most world-historic events—great military battles, political revolutions—are self-consciously historic to the participants living through them. They act knowing that their decisions will be chronicled and dissected for decades or centuries to come. But epidemics create a kind of history from below: they can be world-changing, but the participants are almost inevitably ordinary folk, following their established routines, not thinking for a second about how their actions will be recorded for posterity. And of course, if they do recognize that they are living through a historical crisis, it’s often too late—because, like it or not, the primary way that ordinary people create this distinct genre of history is by dying.
Johnson also finds a third hero in the "clash of microbe and man that played out on Broad Street for ten days in 1854", where 700 people died. This unlikely hero is, in fact, the villain of the piece: Vibrio cholerae. Johnson has some admiration for that tenacious little bacterium which discovered a wonderful world of opportunity in industrialised, over-populated, under-sanitized ("What are we going to do with all of this shit?") London. 

At the end of The Ghost Map, Johnson attempts to extrapolate what we modern city-dwellers might learn from the Broad Street epidemic. I thought this more conceptual section was rather less successful than the cholera narrative, but Johnson's points are entirely valid: living in a modern city extends your life span; simultaneously, any threat to a modern city is "an open invitation to mass killing" whether than be by bacteria or terrorists:
The Twin Towers sat on approximately one acre of real estate, and yet they harbored a population of 50,000 on a workday. That level of density offers a long list of potential benefits, but it is also an open invitation for mass killing—and, what’s worse, mass killing that doesn’t require an army to carry it out. You just need enough ammunition to destroy two buildings, and right there you’ve got a body count that rivals the ten years of American losses in the Vietnam War.
The Ghost Map reminds us that we still live in very frightening times.

Rating: 7/10.

If you liked this... I'd like to read more about Snow's anaesthetic experiments. He did quite a lot of them on himself, which may have attributed to his early death. I have a vague recollection of seeing a book about this in a review somewhere...

Saturday, June 18, 2011

{weekend words}

A slaughterhouse at the edge of Soho, on Marshall Street, killed an average of five oxen and seven sheep per day, the blood and filth from the animals draining into gulley holes on the street. Without proper barns, residents converted traditional dwellings into “cow houses”—herding twenty-five or thirty cows into a single room. In some cases, cows were lifted into attics via windlass, and shuttered there in the dark until their milk gave out. Even the pets could be overwhelming. One man who lived on the upper floor at 38 Silver Street kept twenty-seven dogs in a single room. He would leave what must have been a prodigious output of canine excrement to bake in the brutal summer sun on the roof of the house. A charwoman down the street kept seventeen dogs, cats, and rabbits in her single-room flat. The human crowding was almost as oppressive. Whitehead liked to tell the story of visiting one densely packed household, and asking an impoverished woman there how she managed to get along in such close quarters. “Well, sir,” she replied, “we was comfortable enough till the gentleman come in the middle.” She then pointed to a chalk circle in the center of the room, defining the region that the “gentleman” was allowed to occupy.
Steven Johnson (2006)

The Ghost Map: A Street, an Epidemic and the Hidden Power of Urban Networks The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World

Monday, June 13, 2011

{review} doctors from hell

Vivien Spitz Doctors from Hell (2004)

Doctors from Hell

"How nice it would be if we could drive the whole pack of them [the Poles] through such ovens. Yesterday two wagonloads of Polish ashes were taken away. Outside my office, the robinias are blooming beautifully, just as in Leipzig." (Diary of Dr Hermann Voss, professor of anatomy at the university in Posen, Poland)

Vivien Spitz was only twenty-two years old in 1946 when she was sent from America to the Nuremberg Trials in 1946 as a court reporter (stenographer). Her job involved recording the proceedings against doctors accused of war crimes in the Nazi concentration camps.


What she heard at the Trials - what she had to write down word for gruesome word - changed her life forever. But it was not until the late 1980s, when she began to hear stories about Holocaust deniers, that she was able to face the nightmarish visions she retained from her two years in Germany. The result, based on the transcripts on which she worked, is a frightening and horrible catalogue of crimes against humanity committed by men (and one woman) who had been trained to heal but chose to participate in something altogether less salubrious.

This litany of sins against the Hippocratic Oath is a painful and gruesome read and one wonders how Spitz (whose own German heritage speaks plainly in her name) had the courage to face these horrors for a second time. She is, obviously, an extraordinary woman, as the details of her subsequent career attest here).

The organisation of Doctors from Hell is a practical one: Spitz has divided her material into types of 'scientific' investigations undertaken on concentration camp inmates. These included experiments with high altitudes; freezing; malaria; bone, muscle and nerve regeneration; bone transplants; mustard gas; sulphanilamide; sea water drinking; epidemic jaundice; sterilization; typhus; poisons; incendiary bombs; infections and inflammations; phenol; coagulation; euthanasia; and skeleton collecting. The testimonies provided by survivors and witnesses are graphic and horrifying - a "barrage of horror", as Spitz notes. The defences provided by the treating doctors are very weak, not least because of the Nazi love of obsessive documentation.

Herta Oberheuser
"In administering therapeutical care, following established medical principles, as a woman in a difficult position, I did the best I could." (Herta Oberheuser, physician at Ravensbrück camp; sentenced to 20 years imprisonment but released in 1952 (!) for good behaviour, she practised as a GP until a survivor recognised her and she was finally struck off in 1958).

Karl Brandt
"It is immaterial for the experiment whether it is done with or against the will of the person concerned... The meaning is the motive—devotion to the community... ethics of every form are decided by an order or obedience." (Karl Brandt; Hitler's personal physician and head of his euthanasia program; executed 1948)
It is never far from the surface in these testimonia that the concentration camps provided a once in a lifetime opportunity to advance one's own research on the "useless eaters" without fear of consequences. At the medical trials held at Dachau prior to those at Nuremberg, one defendent, Dr Schilling, offered the defense that, "his work was part of his duty; that it was unfinished; and that the Dachau court should do what it could to help him finish his experiments for the benefit of science." Terrifying stuff.

Doctors from Hell is saved from being a simple catalogue of evil by Spitz's alternation of the trials with details of her life at the time, as a young American woman in Nuremberg. The description of the wartime destruction of Nuremberg by the Allied forces underlines that encounters between good and evil are far from ethically simplistic.
Witness: There were only three types of resistance possible. First of all, emigration for a person who was able; second, open resistance which meant a concentration camp or the death penalty, and to my knowledge, never met with any success; third, passive resistance by apparent yielding, misplacing and delaying orders, criticism among one’s friends, in short, what writers today call "internal emigration."
What Spitz took from Nuremberg was an understanding that responsibility and accountability would be the foundations that underpinned her sense of personal duty. Quirkily, she aligns these with Bob Dylan's lines from 'Blowin’ in the Wind': How many times can a man turn his head and pretend that he just doesn’t see?

Doctors from Hell is in places a tad overwrought and incongruously anecdotal - "As I looked at Karl Brandt, his eyes locked onto mine—boring into me with such deep, evil intensity that I shuddered with a chill that went down my spine and froze me to my seat" - but it amply fulfils Spitz's "hope that this record will not be forgotten by history."

She quotes Martin Niemöller (a somewhat problematic figure):
In Germany they came first for the Communists, and I didn’t speak up because I wasn't a Communist. Then they came for the Jews, and I didn’t speak up because I wasn’t a Jew. Then they came for the trade unionists, and I didn’t speak up because I wasn’t a trade unionist. Then they came for the Catholics, and I didn’t speak up because I was a Protestant. Then they came for me, and by that time no one was left to speak up.
This is a powerful, horrifying book and not one for the weak of stomach.

Rating: 9/10.

If you liked this... the introduction to this book was written by Elie Wiesel, and reminded me that I have put off reading Night for too long.

Night (Oprah's Book Club)

Saturday, June 11, 2011

{weekend words}

The professional group that had the largest percentage of Nazi Party members was medicine.
Vivien Spitz (2004)
The Horrific Account of Nazi Experiments on Humans

{Vivien Spitz was only 22 years old when she went to Germany in 1946 
as a US court reporter on the Nuremberg Trials.}

Doctors from Hell: The Horrific Account of Nazi Experiments on Humans

{READ IN 2018}

  • FEBRUARY
  • 30.
  • 29.
  • 28.
  • 27.
  • 26. The Grave's a Fine & Private Place - Alan Bradley
  • 25. This is What Happened - Mick Herron
  • 24. London Rules - Mick Herron
  • 23. The Third Eye - Ethel Lina White
  • 22. Thrice the Brindled Cat Hath Mewed - Alan Bradley
  • 21. As Chimney Sweepers Come to Dust - Alan Bradley
  • 20. The Dead in Their Vaulted Arches - Alan Bradley
  • 19. Speaking from Among the Bones - Alan Bradley
  • JANUARY
  • 18. Eleanor Oliphant is Completely Fine - Gail Honeyman
  • 17. Miss Ranskill Comes Home - Barbara Euphan Todd
  • 16. The Long Arm of the Law - Martin Edwards (ed.)
  • 15. Nobody Walks - Mick Herron
  • 14. The Talented Mr Ripley - Patricia Highsmith
  • 13. Portrait of a Murderer - Anthony Gilbert
  • 12. Murder is a Waiting Game - Anthony Gilbert
  • 11. Tenant for the Tomb - Anthony Gilbert
  • 10. Death Wears a Mask - Anthony Gilbert
  • 9. Night Encounter - Anthony Gilbert
  • 8. The Visitor - Anthony Gilbert
  • 7. The Looking Glass Murder - Anthony Gilbert
  • 6. The Voice - Anthony Gilbert
  • 5. The Fingerprint - Anthony Gilbert
  • 4. Ring for a Noose - Anthony Gilbert
  • 3. No Dust in the Attic - Anthony Gilbert
  • 2. Uncertain Death - Anthony Gilbert
  • 1. She Shall Died - Anthony Gilbert

{READ IN 2017}

  • DECEMBER
  • 134. Third Crime Lucky - Anthony Gilbert
  • 133. Death Takes a Wife - Anthony Gilbert
  • 132. Death Against the Clock - Anthony Gilbert
  • 131. Give Death a Name - Anthony Gilbert
  • 130. Riddle of a Lady - Anthony Gilbert
  • 129. And Death Came Too - Anthony Gilbert
  • 128. Snake in the Grass - Anthony Gilbert
  • 127. Footsteps Behind Me - Anthony Gilbert
  • 126. Miss Pinnegar Disappears - Anthony Gilbert
  • 125. Lady-Killer - Anthony Gilbert
  • 124. A Nice Cup of Tea - Anthony Gilbert
  • 123. Die in the Dark - Anthony Gilbert
  • 122. Death in the Wrong Room - Anthony Gilbert
  • 121. The Spinster's Secret - Anthony Gilbert
  • 120. Lift up the Lid - Anthony Gilbert
  • 119. Don't Open the Door - Anthony Gilbert
  • 118. The Black Stage - Anthony Gilbert
  • 117. A Spy for Mr Crook - Anthony Gilbert
  • 116. The Scarlet Button - Anthony Gilbert
  • 115. He Came by Night - Anthony Gilbert
  • 114. Something Nasty in the Woodshed - Anthony Gilbert
  • NOVEMBER
  • 113. Death in the Blackout - Anthony Gilbert
  • 112. The Woman in Red - Anthony Gilbert
  • 111. The Vanishing Corpse - Anthony Gilbert
  • 110. London Crimes - Martin Edwards (ed.)
  • 109. The Midnight Line - Anthony Gilbert
  • 108. The Clock in the Hatbox - Anthony Gilbert
  • 107. Dear Dead Woman - Anthony Gilbert
  • 106. The Bell of Death - Anthony Gilbert
  • 105. Treason in my Breast - Anthony Gilbert
  • 104. Murder has no Tongue - Anthony Gilbert
  • 103. The Man who Wasn't There - Anthony Gilbert
  • OCTOBER
  • 102. Murder by Experts - Anthony Gilbert
  • 101. The Perfect Murder Case - Christopher Bush
  • 100. The Plumley Inheritance - Christopher Bush
  • 99. Spy - Bernard Newman
  • 98. Cargo of Eagles - Margery Allingham & Philip Youngman Carter
  • 97. The Mind Readers - Margery Allingham
  • SEPTEMBER
  • 96. The China Governess - Margery Allingham
  • 95. Hide My Eyes - Margery Allingham
  • 94. The Beckoning Lady - Margery Allingham
  • 93. The Tiger in the Smoke - Margery Allingham
  • 92. More Work for the Undertaker - Margery Allingham
  • 91. Coroner's Pidgin - Margery Allingham
  • 90. Traitor's Purse - Margery Allingham
  • 89. The Fashion in Shrouds - Margery Allingham
  • 88. The Case of the Late Pig - Margery Allingham
  • 87. Dancers in Mourning - Margery Allingham
  • AUGUST
  • 86. Flowers for the Judge - Margery Allingham
  • 85. Death of a Ghost - Margery Allingham
  • 84. Sweet Danger - Margery Allingham
  • 83. Police at the Funeral - Margery Allingham
  • 82. Look to the Lady - Margery Allingham
  • 81. Mystery Mile - Margery Allingham
  • 80. The Crime at Black Dudley - Margery Allingham
  • 79. The White Cottage Mystery - Margery Allingham
  • 78. Murder Underground - Mavis Doriel Hay
  • 77. No Man's Land - David Baldacci
  • 76. The Escape - David Baldacci
  • 75. The Forgotten - David Baldacci
  • 74. Zero Day - David Baldacci
  • JULY
  • 73. Pilgrim's Rest - Patricia Wentworth
  • 72. The Case is Closed - Patricia Wentworth
  • 71. The Watersplash - Patricia Wentworth
  • 70. Lonesome Road - Patricia Wentworth
  • 69. The Listening Eye - Patricia Wentworth
  • 68. Through the Wall - Patricia Wentworth
  • 67. Out of the Past - Patricia Wentworth
  • 66. Mistress - Amanda Quick
  • 65. The Black Widow - Daniel Silva
  • 64. The Narrow - Michael Connelly
  • 63. The Poet - Michael Connelly
  • 62. The Visitor - Lee Child
  • 61. No Middle Name: The Complete Collected Jack Reacher Stories - Lee Child
  • JUNE
  • 60. The Queen's Accomplice - Susan Elia MacNeal
  • 59. Mrs Roosevelt's Confidante - Susan Elia MacNeal
  • 58. The PM's Secret Agent - Susan Elia MacNeal
  • 57. His Majesty's Hope - Susan Elia MacNeal
  • 56. Princess Elizabeth's Spy - Susan Elia MacNeal
  • 55. Mr Churchill's Secretary - Susan Elia MacNeal
  • 54. A Lesson in Secrets - Jacqueline Winspear
  • 53. Hit & Run - Lawrence Block
  • 52. Hit Parade - Lawrence Block
  • 51. Hit List - Lawrence Block
  • 50. Six Were Present - E. R. Punshon
  • 49. Triple Quest - E. R. Punshon
  • MAY
  • 48. Dark is the Clue - E. R. Punshon
  • 47. Brought to Light - E. R. Punshon
  • 46. Strange Ending - E. R. Punshon
  • 45. The Attending Truth - E. R. Punshon
  • 44. The Golden Dagger - E. R. Punshon
  • 43. The Secret Search - E. R. Punshon
  • 42. Spook Street - Mick Herron
  • 41. Real Tigers - Mick Herron
  • 40. Dead Lions - Mick Herron
  • 39. Slow Horses - Mick Herron
  • APRIL
  • 38. Everybody Always Tells - E. R. Punshon
  • 37. So Many Doors - E. R. Punshon
  • 36. The Girl with All the Gifts - M. R. Carey
  • 35. A Scream in Soho - John G. Brandon
  • 34. A Murder is Arranged - Basil Thomson
  • 33. The Milliner's Hat Mystery - Basil Thomson
  • 32. Who Killed Stella Pomeroy? - Basil Thomson
  • 31. The Dartmoor Enigma - Basil Thomson
  • 30. The Case of the Dead Diplomat - Basil Thomson
  • 29. The Case of Naomi Clynes - Basil Thomson
  • 28. Richardson Scores Again - Basil Thomson
  • 27. A Deadly Thaw - Sarah Ward
  • MARCH
  • 26. The Spy Paramount - E. Phillips Oppenheim
  • 25. The Great Impersonation - E. Phillips Oppenheim
  • 24. Ragdoll - Daniel Cole
  • 23. The Case of Sir Adam Braid - Molly Thynne
  • 22. The Ministry of Fear - Graham Greene
  • 21. The Draycott Murder Mystery - Molly Thynne
  • 20. The Murder on the Enriqueta - Molly Thynne
  • 19. The Nowhere Man - Gregg Hurwitz
  • 18. He Dies and Makes No Sign - Molly Thynne
  • FEBRUARY
  • 17. Death in the Dentist's Chair - Molly Thynne
  • 16. The Crime at the 'Noah's Ark' - Molly Thynne
  • 15. Harriet the Spy - Louise Fitzhugh
  • 14. Night School - Lee Child
  • 13. The Dancing Bear - Frances Faviell
  • 12. The Reluctant Cannibals - Ian Flitcroft
  • 11. Fear Stalks the Village - Ethel Lina White
  • 10. The Plot - Irving Wallace
  • JANUARY
  • 9. Understood Betsy - Dorothy Canfield Fisher
  • 8. Give the Devil his Due - Sulari Gentill
  • 7. A Murder Unmentioned - Sulari Gentill
  • 6. Dead Until Dark - Charlaine Harris
  • 5. Gentlemen Formerly Dressed - Sulari Gentill
  • 4. While She Sleeps - Ethel Lina White
  • 3. A Chelsea Concerto - Frances Faviell
  • 2. Kipps: The Story of a Simple Soul - H. G. Wells
  • 1. Heft - Liz Moore
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