I spent the week over Christmas/NY trying to catch up with a monstrous pile of neglected LRBs.
In wartime Los Alamos, there was a conversation piece known as the Fermi Paradox, posed by the Italian physicist Enrico Fermi. Given the high overall probability that intelligent life existed elsewhere in the universe, why hadn’t the extraterrestrials made contact? ‘They are among us,’ Leó Szilárd replied, ‘but they call themselves Hungarians.’ The story was told by the Hungarians themselves and it went like this: the Men from Mars were a restless sort and, in search of new worlds to colonise, they long ago came to Earth, landing on the banks of the Danube. They had effectively concealed their true identity, but there were several signs that could give away their Martian origins. One was their wanderlust: they loved to travel and they readily upped sticks; second was their language, which had no known earthly relation; and third was their supernatural intelligence – they knew things, and could think in a way, that no other people did. One could add a corollary: though they often had a profound understanding of the whole spectrum of mere earthly culture, they seemed to understand it, as it were, from the outside. When one of the Martians, the mathematician John von Neumann, was appointed to the Princeton Institute for Advanced Study at the age of 29, a story went around that he was ‘a demigod but had made a thorough, detailed study of human beings and could imitate them perfectly’. In Britain and America, the Martian-English accent was much loved and, sometimes, much played up by its speakers, adding both to its charm and its otherworldly weirdness.
Steven Shapin
'An Example of the Good Life'
'An Example of the Good Life'
[Review of Michael Polanyi and His Generation by Mary Jo Nye]
London Review of Books 15/12/2011 [vol.33, no.24, p.23]
Oh, this sounds really interesting! I've actually never read the LRB, though I really like the cover of this edition- it's lovely!
ReplyDeleteThanks Aarti - the covers are all gorgeous - the artist, Peter Campbell, who did all of the cover art from the beginning (30 years +) died last year unfortunately, so it will be interesting to see how they develop without his distinctive style. I like what they've done with this one.
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